Tuesday, November 15, 2011

Old Roman Pre-Catholic Religion's

"Dii Consentes
From Wikipedia, the free encyclopedia

The Dii Consentes (also Dii Complices[1]) were a list of twelve major deities, six gods and six goddesses, in the pantheon of Ancient Rome. Their gilt statues stood in the Forum, later apparently in the Porticus Deorum Consentium.[2]
The gods were listed by the poet Ennius in the late 3rd century BC. paraphrasing an unknown Greek poet:[3]
Juno, Vesta, Minerva, Ceres, Diana, Venus,
Mars, Mercury, Jupiter, Neptune, Vulcan, Apollo
Livy (XXII.10.9) arranges them in six couples, Jupiter-Juno, Neptune-Minerva, Mars-Venus, Apollo-Diana,Vulcan-Vesta and Mercury-Ceres. Three of the Dii Consentes formed the Capitoline Triad: Jupiter, Juno, and Minerva.
[edit]Background

The grouping of twelve deities has origins older than the Greek or Roman sources. The Greek grouping may have Anatolian, more precisely Lycian origins. A group of twelve Hittite gods is known both from cuneiform texts and from artistic representation. The Hittite Twelve are all male, with no individualizing features. They have a possible reflex in a Lycian group of twelve gods in the Roman Empire period. By 400 BC, a precinct dedicated to twelve gods existed at the marketplace in Xanthos in Lycia. Herodotus also refers to a group of twelve gods in Egypt, but this finds no confirmation in Egyptian sources. The Greek cult of the Twelve Olympians can be traced to 6th century BC Athens and probably has no precedent in the Mycenaean period. The altar to the Twelve Olympians at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. By the 5th century BC there are well-attested cults of the Twelve Olympians in Olympia and at the Hieron on the Bosphoros.[4]
The references to twelve Etruscan deities are due to later Roman authors, writing long after the influence of the Greek pantheon had become dominant, and must be regarded with skepticism. Arnobius states that the Etruscans had a set of six male and six female deities which they called consentes and complices because they rose and set together, implying an astronomical significance, and that these twelve acted as councillors of Jupiter. Scholarly evaluation of this account is dependent on the hypothesis that the Etruscans originally immigrated to Italy from Anatolia. In this case, the Etruscan Twelve might have been cognate to the Hittite Twelve. It is, however, just as possible that the Etruscan Twelve were simply an adaptation of the Greek Twelve just like the Roman Twelve.[5]" - http://en.wikipedia.org/wiki/Dii_Consentes

"Roman deities

See also: List of Roman deities and Roman mythology
Rome offers no native creation myth, and little mythography to explain the character of its deities, their mutual relationships or their interactions with the human world, but Roman theology acknowledged that di immortales (immortal gods) ruled all realms of the heavens and earth. There were gods of the upper heavens, gods of the underworld and a myriad of lesser deities between. Some evidently favoured Rome because Rome honoured them, but none were intrinsically, irredeemably foreign or alien. The political, cultural and religious coherence of an emergent Roman super-state required a broad, inclusive and flexible network of lawful cults. At different times and in different places, the sphere of influence, character and functions of a divine being could expand, overlap with those of others, and be redefined as Roman. Change was embedded within existing traditions.[13]


Tellus, chthonic mother of the fruitful earth, flanked by Venus (left) and Ceres.[citation needed] From the Augustan Ara Pacis, consecrated in 9 BC.
Several versions of a semi-official, structured pantheon were developed during the political, social and religious instability of the Late Republican era. Jupiter, the most powerful of all gods and "the fount of the auspices upon which the relationship of the city with the gods rested", consistently personified the divine authority of Rome's highest offices, internal organization and external relations. During the archaic and early Republican eras, he shared his temple, some aspects of cult and several divine characteristics with Mars and Quirinus, who were later replaced by Juno and Minerva.[14] A conceptual tendency toward triads may be indicated by the later agricultural or plebeian triad of Ceres, Liber and Libera, and by some of the complementary threefold deity-groupings of Imperial cult.[15] Other major and minor deities could be single, coupled, or linked retrospectively through myths of divine marriage and sexual adventure. These later Roman pantheistic hierarchies are part literary and mythographic, part philosophical creations, and often Greek in origin. The Hellenization of Latin literature and culture supplied literary and artistic models for reinterpreting Roman deities in light of the Greek Olympians, and promoted a sense that the two cultures had a shared heritage.[16]
The impressive, costly, and centralised rites to the deities of the Roman state were vastly outnumbered in everyday life by commonplace religious observances pertaining to an individual's domestic and personal deities, the patron divinities of Rome's various neighborhoods and communities, and the often idiosyncratic blends of official, unofficial, local and personal cults that characterised lawful Roman religion.[17] In this spirit, a provincial Roman citizen who made the long journey from Bordeaux to Italy to consult the Sibyl at Tibur did not neglect his devotion to his own goddess from home:
I wander, never ceasing to pass through the whole world, but I am first and foremost a faithful worshiper of Onuava. I am at the ends of the earth, but the distance cannot tempt me to make my vows to another goddess. Love of the truth brought me to Tibur, but Onuava’s favorable powers came with me. Thus, divine mother, far from my home-land, exiled in Italy, I address my vows and prayers to you no less.[18]" - http://en.wikipedia.org/wiki/Religion_in_ancient_Rome#Roman_deities

Monday, November 14, 2011

Queen Elizabeth I of England


Queen Elizabeth I of England

This is some information from Wikipedia on Queen Elizabeth I who was the one that had John Dee and Edward Kelly work for her and then eventually devised the Enochian System of Magick:

"Elizabeth I of England
From Wikipedia, the free encyclopedia
(Redirected from Queen Elizabeth I)

"Elizabeth I", "Elizabeth of England", and "Elizabeth Tudor" redirect here. For other uses, see Elizabeth I (disambiguation), Elizabeth of England (disambiguation), and Elizabeth Tudor (disambiguation).
Elizabeth I

Elizabeth I , "Darnley Portrait", c. 1575
Queen of England and Ireland (more...)
Reign 17 November 1558 – 24 March 1603
Coronation 15 January 1559
Predecessor Mary I
Successor James I
House House of Tudor
Father Henry VIII
Mother Anne Boleyn
Born 7 September 1533
Greenwich, England
Died 24 March 1603 (aged 69)
Richmond, England
Burial Westminster Abbey
Signature
Elizabeth I (7 September 1533 – 24 March 1603) was queen regnant of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty. The daughter of Henry VIII, she was born a princess, but her mother, Anne Boleyn, was executed two and a half years after her birth, and Elizabeth was declared illegitimate. Her half-brother, Edward VI, bequeathed the crown to Lady Jane Grey, cutting his half-sisters out of the succession. His will was set aside, Lady Jane Grey was executed, and in 1558 Elizabeth succeeded the Catholic Mary I, during whose reign she had been imprisoned for nearly a year on suspicion of supporting Protestant rebels.
Elizabeth set out to rule by good counsel,[1] and she depended heavily on a group of trusted advisers led by William Cecil, Baron Burghley. One of her first moves as queen was the establishing of an English Protestant church, of which she became the Supreme Governor. This Elizabethan Religious Settlement later evolved into today's Church of England. It was expected that Elizabeth would marry and produce an heir so as to continue the Tudor line. She never did, however, despite numerous courtships. As she grew older, Elizabeth became famous for her virginity, and a cult grew up around her which was celebrated in the portraits, pageants, and literature of the day.
In government, Elizabeth was more moderate than her father, brother and sister had been.[2] One of her mottoes was "video et taceo" ("I see, and say nothing").[3] In religion she was relatively tolerant, avoiding systematic persecution. After 1570, when the pope declared her illegitimate and released her subjects from obedience to her, several conspiracies threatened her life. All plots were defeated, however, with the help of her ministers' secret service. Elizabeth was cautious in foreign affairs, moving between the major powers of France and Spain. She only half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France and Ireland. In the mid-1580s, war with Spain could no longer be avoided, and when Spain finally decided to invade and conquer England in 1588, the defeat of the Spanish Armada associated her with what is popularly viewed as one of the greatest victories in English history.
Elizabeth's reign is known as the Elizabethan era, famous above all for the flourishing of English drama, led by playwrights such as William Shakespeare and Christopher Marlowe, and for the seafaring prowess of English adventurers such as Sir Francis Drake. Some historians are more reserved in their assessment. They depict Elizabeth as a short-tempered, sometimes indecisive ruler,[4] who enjoyed more than her share of luck. Towards the end of her reign, a series of economic and military problems weakened her popularity. Elizabeth is acknowledged as a charismatic performer and a dogged survivor, in an age when government was ramshackle and limited and when monarchs in neighbouring countries faced internal problems that jeopardised their thrones. Such was the case with Elizabeth's rival, Mary, Queen of Scots, whom she imprisoned in 1568 and eventually had executed in 1587. After the short reigns of Elizabeth's brother and sister, her 44 years on the throne provided welcome stability for the kingdom and helped forge a sense of national identity.[2]" - http://en.wikipedia.org/wiki/Elizabeth_I

Friday, November 11, 2011

Heroes

Law = 54
Hero = 54

(This does not mean you should act like your in distress or danger and try to act like super heroes in movies because I fucking hate that. I'm not going to save you.)

The Royal Stars - Guardians of the Sky



These are the four Royal Stars or Guardians of the Sky which is the Quaternal Star System of Regulus.

I figured it would be ideal to trace the Five Fold Star's around each Star once they're mapped out as the four direction's in your LBRP.

The Seven Hills of Rome

The Seven Hills of Rome

Palatine Hill

"Mythology

According to Roman mythology, the Palatine Hill was the location of the cave, known as the Lupercal, where Romulus and Remus were found by the she-wolf that kept them alive. According to this legend, the shepherd Faustulus found the infants, and with his wife Acca Larentia raised the children. When they were older, the boys killed their great-uncle (who seized the throne from their grandfather), and they both decided to build a new city of their own on the banks of the River Tiber. Suddenly, they had a violent argument with each other and in the end Romulus killed his twin brother Remus. This is how "Rome" got its name - from Romulus. Another legend to occur on the Palatine is Hercules' defeat of Cacus after the monster had stolen some cattle. Hercules struck Cacus with his characteristic club so hard that it formed a cleft on the southeast corner of the hill, where later a staircase bearing the name of Cacus was constructed." - Wikipedia.com

Aventine Hill

"Etymology and mythology

Most Roman sources trace the name of the hill to a legendary king Aventinus. Servius identifies two kings of that name, one ancient Italic, and one Alban, both said to have been buried on the hill in remote antiquity. The hill, he says, was named after the first, Italic Aventinus or after the birds (aves) of ill omen that "rising from the Tiber" nested there. The Alban king would have been named after the hill. He cites and rejects Varro's proposition that the Sabines named the hill after the nearby Aventus river; likewise, he believes, the Aventinus fathered by Hercules on Rhea Silvia was likely named after the Aventine hill, not vice versa.[2]
The Aventine was a significant site in Roman mythology. In Virgil's Aeneid, a cave on the Aventine's rocky slope next the river is home to the monstrous Cacus, killed by Hercules for stealing Geryon's cattle.[3] In Rome's founding myth, the divinely fathered twins Romulus and Remus hold a contest of augury, whose outcome determines the right to found, name and lead a new city, and to determine its site. In most versions of the story, Remus sets up his augural tent on the Aventine; Romulus sets his up on the Palatine. Each sees a number of auspicious birds (aves) that signify divine approval but Remus sees fewer than Romulus. Romulus goes on to found the city of Rome at the site of his successful augury. An earlier variant, found in Ennius and some later sources, has Romulus perform his augury on one of the Aventine hills. Remus performs his elsewhere, perhaps on the southeastern height, the lesser of the Aventine's two hills, which has been tentatively identified with Ennius' Mons Murcus.[4] Skutsch (1961) regards Ennius' variant as the most likely, with Romulus's Palatine augury as a later development, after common usage had extended the Aventine's name – formerly used for only the greater, northeastern height – to include its lesser neighbour. Augural rules and the mythos itself required that each twin take his auspices at a different place; therefore Romulus, who won the contest and founded the city, was repositioned to the more fortunate Palatine, the traditional site of Rome's foundation. The less fortunate Remus, who lost not only the contest but later, his life, remained on the Aventine: Servius notes the Aventine's reputation as a haunt of "inauspicious birds" - wikipedia.org

Caelian Hill

"The Caelian Hill (Latin Mons Caelius, Italian Celio) is one of the famous Seven Hills of Rome. Under reign of Tullus Hostilius, the entire population of Alba Longa was forcibly resettled on the Caelian Hill.[1] According to a tradition recounted by Titus Livy, the hill received its name from Caelius Vibenna, either because he established a settlement there or because his friend Servius Tullius wished to honor him after his death.
In Republican-era Rome the Caelian Hill was a fashionable residential district and the site of residences of the wealthy. Archeological work under the Baths of Caracalla have uncovered the remains of lavish villas complete with murals and mosaics. The Caelian is also the site of the Basilica of Santi Giovanni e Paolo and the ancient basilica of Santo Stefano Rotondo, known for its centralized, circular plan. A significant area of the hill is taken up by the villa and gardens of Villa Celimontana." - wikipedia.org

Esquiline Hill

"History

The Esquiline Hill includes three prominent spurs, which are sometimes called ‘hills’ as well:[1]
Cispian (Cispius) - northern spur
Oppian (Oppius) - southern spur
Fagutal (Fagutalis) - western spur
Rising above the valley in which was later built the Colosseum, the Esquiline was a fashionable residential district.
According to Livy, the settlement on the Esquiline was expanded during the reign of Servius Tullius, Rome' sixth king, in the 6th century BC. The king also moved his residence to the Hill, in order to increase its respectability.[2]
The political advisor and art patron Maecenas (70 BC-8 BC) sited his famous gardens, the first gardens in the Hellenistic-Persian garden style in Rome, on the Esquiline Hill, atop the Servian Wall and its adjoining necropolis, near the gardens of Lamia. It contained terraces, libraries and other aspects of Roman culture. At the Oppius, Nero (37-68) confiscated property to build his extravagant, mile-long Golden House,[3] and later still Trajan (53-117) constructed his bath complex, both of whose remains are visible today. The 3rd century AD Horti Liciniani, a group of gardens (including the relatively well-preserved nymphaeum formerly identified as the non-extant Temple of Minerva Medica), were probably constructed on the Esquiline Hill. Farther to the northeast, at the summit of the Cispius, is the Basilica of Santa Maria Maggiore.
In 1781, the first known copy of the marble statue of a Discus thrower - the so-called Discobolus of Myron - was discovered on the Roman property of the Massimo family, the Villa Palombara, on the Esquiline Hill." - wikipedia.org

Viminal Hill

"The Viminal Hill (Latin Collis Viminalis, Italian Viminale) is the smallest of the famous seven hills of Rome. A finger-shape cusp pointing toward central Rome between the Quirinal Hill to the northwest and the Esquiline Hill to the southeast, it is home to the Teatro dell'Opera and the Termini Railway Station. At the top of Viminal Hill there is the palace of Viminale that hosts the headquarters of the powerful Ministry of Interior; currently the term Il Viminale means the ministry of Interior.
According to Livy, the hill first became part of the city of Rome, along with the Quirinal Hill, during the reign of Servius Tullius, Rome' sixth king, in the 6th century BC.[1]" - wikipedia.org

Quirinal Hill

"History

It was originally part of a group of hills that included Collis Latiaris, Mucialis (or Sanqualis), Salutaris. These are now lost due to building in the 16th century and later.[1]
According to Roman legend, the Quirinal Hill was the site of a small village of the Sabines, and king Titus Tatius would have lived there after the peace between Romans and Sabines. These Sabines had erected altars in the honour of their god Quirinus (naming the hill by this god).[citation needed]
Tombs from the 8th century BC to the 7th century BC that confirm a likely presence of a Sabine settlement area have been discovered; on the hill, there was the tomb of Quirinus, which Lucius Papirius Cursor transformed into a temple for his triumph after the third Samnite war. Some authors consider it possible that the cult of the Capitoline Triad (Jove, Minerva, Juno) could have been celebrated here well before it became associated with the Capitoline Hill. The sanctuary of Flora, an Osco-sabine goddess, was here too.[2]
According to Livy, the hill first became part of the city of Rome, along with the Viminal Hill, during the reign of Servius Tullius, Rome' sixth king, in the 6th century BC.[3]
In 446 BC, a temple was dedicated on the Quirinal in honour of Semo Sancus Dius Fidius, and it is possible that this temple was erected over the ruins of another temple. Augustus, too, ordered the building of a temple, dedicated to Mars. On a slope of the Quirinal were the extensive gardens of Sallust.
On the Quirinal Hill Constantine ordered the erection of his baths, the last thermae complex erected in imperial Rome. These are now lost, having been incorporated into Renaissance Rome, with only some drawings from the 16th century remaining.
In the Middle Ages, the Torre delle Milizie and the convent of St. Peter and Domenic were built, and above Constantine's building was erected the Palazzo Rospigliosi; the two famous colossal marble statues of the "Horse Tamers", generally identified as the Dioscuri with horses, which now are in the Piazza Quirinale, were originally in this Palazzo. They gave to the Quirinal its medieval name Monte Cavallo, which lingered into the 19th century, when the hill was transformed beyond all recognition by urbanization of an expanding capital of a united Italy. In the same palazzo were also the two statues of river gods that Michelangelo moved to the steps of Palazzo Senatorio on the Capitoline Hill.
According to the political division of the center of Rome, the Hill belongs to the rione Trevi.
[edit]Palazzo del Quirinale



A mid-18th century etching of the Palazzo del Quirinale by Giovanni Battista Piranesi: The colossal Roman "Horse Tamers" or Dioscuri are in the foreground, but the obelisk from the Mausoleum of Augustus (erected 1781 - 1786) has not yet been set up between them.


An etching of the Hill, crowned by the mass of the Palazzo del Quirinale, from a series 'I Sette Colli di Roma antica e moderna published in 1827 by Luigi Rossini (1790 - 1857): His view, from the roof of the palazzo near the Trevi Fountain that now houses the Accademia di San Luca, substituted an imaginary foreground garden for the repetitious roofscape.
Further information: Palazzo del Quirinale
The Quirinal Hill is today identified with the Palazzo del Quirinale, the official residence of the President of the Italian Republic and one of the symbols of the State. Before the abolition of the Italian monarchy in 1946, it was the residence of the king of Italy, and before 1871 it was, as originally, a residence of the Pope.
The healthy[4] cool air of the Quirinal Hill attracted aristocrats and papal families that built villas where the gardens of Sallust had been in antiquity. A visit to the villa of Cardinal Luigi d'Este in 1573 convinced Pope Gregory XIII to start the building of a summer residence the following year, in an area considered healthier than the Vatican Hill or Lateran: His architects were Flaminio Ponzio and Ottaviano Nonni, called Mascherino; under Pope Sixtus V, works were continued by Domenico Fontana (the main facade on the Piazza) and Carlo Maderno, and by Gian Lorenzo Bernini for Pope Clement XII. Gardens were conceived by Maderno. In the 18th century, Ferdinando Fuga built the long wing called the Manica Lunga, which stretched 360 meters along via del Quirinale. In front lies the sloping Piazza del Quirinale where the pair of gigantic Roman marble "Horse Tamers" representing Castor and Pollux, found in the Baths of Constantine, were re-erected in 1588. In Piranesi's view, the vast open space is unpaved. The Palazzo del Quirinale was the residence of the popes until 1870, though Napoleon deported both Pius VI and Pius VII to France, and declared the Quirinale an imperial palace. When Rome was united to the Kingdom of Italy, the Quirinale became the residence of the kings until 1946.
Today, the Palazzo hosts the offices and the apartments of the Head of State and, in its long side along via XX Settembre (the so-called Manica Lunga), the apartments that were furnished for each visit of foreign monarchs or dignitaries.
Several collections are in this Palazzo, including tapestries, paintings, statues, old carriages (carrozze), watches, furniture, and porcelain.
In Piranesi's view, the palazzo on the right is the Palazzo della Sacra Consulta, originally a villa built upon the ruins of the Baths of Constantine, which was adapted by Sixtus V as a civil and criminal court. The present façade was built in 1732–1734 by the architect Ferdinando Fuga on the orders of Pope Clement XII Corsini, whose coat-of-arms, trumpeted by two Fames, still surmounts the roofline balustrade, as in Piranesi's view. It formerly housed Mussolini's ministry of colonial affairs.
[edit]Other monuments



The Constitutional Court of Italy in Palazzo della Consulta, is among the Quirinal Hill government buildings in Rome.
The hill is the site of other important monuments and buildings. Many of those built during the baroque period reflect the personal and spiritual aspirations of powerful local families:
The church of Sant'Andrea al Quirinale was designed by Gian Lorenzo Bernini (1658–1671), for Cardinal Camillo Pamphilii (nephew of Pope Innocent X); it is one of the most elegant samples of baroque architecture in Rome, with its splendid interior of marble, stuccoes, and gilded decorations.
The four fountains (Quattro Fontane) with reclining river gods (1588–93) commissioned by Pope Sixtus V.
Borromini's church of San Carlo alle Quattro Fontane (or San Carlino - originally Chiesa della Santissima Trinità e di San Carlo Borromeo), the first and last work of this architect (the façade was completed after his death) commissioned by the Barberini.
The Piazza and Palazzo Barberini, built by Bernini and Maderno, which now houses the Galleria Nazionale d'Arte Antica.
Palazzo Volpi di Misurata, across from San Carlino, built in the 18th century.
Palazzo Albani del Drago, built by Domenico Fontana and enlarged with an added belvedere, by Alessandro Specchi for the Albani Pope Clement XI; with the decline in the fortunes of Cardinal Alessandro Albani, it was sold to the del Drago, who occupy it still.
Palazzo Baracchini, built 1876-83, now housing the Ministry of Defense.
The church of San Silvestro al Quirinale, which was described for the first time circa 1000, rebuilt in the 16th century and restructured (façade) in the 19th.
The Palazzo Colonna (17th century), in front of Palazzo Rospigliosi, contains some remains of Caracalla's temple of Serapis
The Palazzo della Consulta hosts today the Constitutional Court, and was erected by Ferdinando Fuga for Pope Clement XII directly opposite Palazzo del Quirinale." - wikipedia.org

Capitoline Hill

"Ancient
At this hill, the Sabines, creeping to the Citadel, were let in by the Roman maiden Tarpeia. For this, she was the first to suffer the punishment for treachery of being thrown off the steep crest of the hill to fall on the dagger-sharp Tarpeian Rocks below. The Sabines, who immigrated to Rome following the Rape of the Sabine Women, settled on the Capitoline.[3] The Vulcanal (Shrine of Vulcan), an 8th century sacred precinct, occupied much of the eastern lower slopes of the Capitoline, at the head of what would later become the Roman Forum. The summit was the site of a temple for the Capitoline Triad, started by Rome's fifth king, Tarquinius Priscus (r. 616-579 BC), and completed by the seventh and last king, Tarquinius Superbus (535–496 BC). It was considered one of the largest and the most beautiful temples in the city (although little now remains). The city legend starts with the recovery of a human skull (the word for head in Latin is caput) when foundation trenches were being dug for the Temple of Jupiter at Tarquin's order. Recent excavations on the Capitoline uncovered an early cemetery under the Temple of Jupiter.[4]


The Capitoline Hill cordonata (centre of picture) leading from Via del Teatro di Marcello to Piazza del Campidoglio.
When the Senones Gauls (settled in central-east Italy) raided Rome in 390 BC, after the battle of River Allia, the Capitoline Hill was the one section of the city to evade capture by the barbarians, due to its being fortified by the Roman defenders.[5] When Julius Caesar suffered an accident during his triumph, clearly indicating the wrath of Jupiter for his actions in the Civil Wars, he approached the hill and Jupiter's temple on his knees as a way of averting the unlucky omen (nevertheless he was murdered six months later, and Brutus and his other assassins locked themselves inside the temple afterward).[6] Vespasian's brother and nephew were also besieged in the temple during the Year of Four Emperors (69).
The Tabularium, located underground beneath the piazza and hilltop, occupies a building of the same name built in the 1st century BC to hold Roman records of state. The Tabularium looks out from the rear onto the Roman Forum. The main attraction of the Tabularium, besides the structure itself, is the Temple of Veiovis.
[edit]Medieval
The church of Santa Maria in Aracoeli is adjacent to the square, located near where the ancient arx, or citadel, atop the hill it once stood. At its base are the remains of a Roman insula, with more than four stores visible from the street.
In the Middle Ages, the hill’s sacred function was obscured by its other role as the center of the civic government of Rome, revived as a commune in the 11th century. The city's government was now to be firmly under papal control, but the Capitoline was the scene of movements of urban resistance, such as the dramatic scenes of Cola di Rienzo's revived republic. As a result, the piazza was already surrounded by buildings by the 16th century.
[edit]Michelangelo


View from the Piazza del Campidoglio
The existing design of the Piazza del Campidoglio and the surrounding palazzi was created by Renaissance artist and architect Michelangelo Buonarroti in 1536–1546. At the height of his fame, he was commissioned by the Farnese Pope Paul III, who wanted a symbol of the new Rome to impress Charles V, who was expected in 1538.
Michelangelo's first designs for the piazza and remodelling of the surrounding palazzi date from 1536. He reversed the classical orientation of the Capitoline, in a symbolic gesture turning Rome’s civic center to face away from the Roman Forum and instead in the direction of Papal Rome and the Christian church in the form of St. Peter’s Basilica.
The sequence, Cordonata piazza and the central palazzo are the first urban introduction of the "cult of the axis" that was to occupy Italian garden plans and reach fruition in France.[7]
Executing the design was slow: Little was actually completed in Michelangelo's lifetime (the ‘’Cordonata’’ was not in place when Emperor Charles arrived, and the imperial party had to scramble up the slope from the Forum to view the works in progress), but work continued faithfully to his designs and the Campidoglio was completed in the 17th century, except for the paving design, which was to be finished three centuries later." - wikipedia.org

List of Cities Claiming to be Built on Seven Hills

http://en.wikipedia.org/wiki/List_of_cities_claimed_to_be_built_on_seven_hills

http://en.wikipedia.org/wiki/Seven_Hills_(disambiguation)

The Seven Hills of Rome

http://en.wikipedia.org/wiki/Seven_hills_of_Rome

Abomination of Desolation Quotes from the Bible

Matthew 24:15
New International Version (NIV)
15 “So when you see standing in the holy place ‘the abomination that causes desolation,’[a] spoken of through the prophet Daniel—let the reader understand—

Daniel 12:11
New International Version (NIV)
11 “From the time that the daily sacrifice is abolished and the abomination that causes desolation is set up, there will be 1,290 days.

Daniel 11:31
New International Version (NIV)
31 “His armed forces will rise up to desecrate the temple fortress and will abolish the daily sacrifice. Then they will set up the abomination that causes desolation.

Daniel 9:27
New International Version (NIV)
27 He will confirm a covenant with many for one ‘seven.’[a] In the middle of the ‘seven’[b] he will put an end to sacrifice and offering. And at the temple[c] he will set up an abomination that causes desolation, until the end that is decreed is poured out on him.[d]”[e]